Thursday, July 9, 2015

A Faithful Depiction

You can tell a lot about people by how they live. Not the structures they inhabit, but how they relate to the place they live and to  their neighbors.

Cedar Flats, the Mormon village depicted in The Tithing Herd is typical of those created by the pioneer Saints across the West. Its orderly design reflects tenets of this truly American religion.

Unlike the ramshackle structures and haphazard layout of Gentile settlements, the towns of the Mormons adhered to a plan passed down from the Prophet Joseph Smith and which reflected his vision of sanctuary and a final holy dwelling place based on scripture.

They came in sight of the village then and Tom gave a little gasp of surprise.

“Right nice, haint it, boy?” Donnelly said. “Not like those Gentile towns you’re used to.”

Donnelly was right. The little Mormon village was a paragon of order, cleanliness and serenity. Tom was unaware of how all towns of the Saints—big or small—were modeled on their idea of the City of Zion. The little houses sat back in their yards along a wide street, all four-square and neat, the yards planted with hedges and flowers, cottonwoods and poplars. At the end of the street sat the Ward House and it was from there the singing emanated.  Fields and pastures stretched out beyond the village as far as a distant range of foothills. Beyond that timbered steppes rose up to bald-faced mountains, hazy in the distance.

You’ll find a similarity in these villages in the writings of Zane Grey, Wallace Stegner, Vardis Fisher and others and I could not portray mine otherwise. It’s one of those historical facts a writer can’t ignore. In this case it reveals the community-minded, family-oriented tenets of the faith.

And it is her faith in her religion, her family, her community and—especially—in Lute Donnelly that helps Serene McCullough cope with her ordeal and believe she will be rescued from the bandit known as Spanish.