Showing posts with label coal mining. Show all posts
Showing posts with label coal mining. Show all posts

Tuesday, August 10, 2010

Don't Take My Word For It





A review of a novel, film or other creative work is one person’s opinion.

And that’s exactly what it’s meant to be. As Darryl Ponicsan, a better known coal region-born writer, put it, “An honest reviewer reads a book and says, ‘I like it’ or ‘I don’t like it’ or ‘I’m lukewarm about it,’ and why.”

So what does that mean to you, the reader?

Many select a book on the basis of genre, their knowledge of the author or the suggestion of a friend or family member. There also might be the influence of advertising, an intriguing cover design or, simply, a whim. The reviewer is just another adjunct.

An honest review can help you sort out from the estimated 190,000 new books published every year in the U.S. those you might want to buy or borrow from your local library. That’s just the estimate for the U.S. Add another 130,000 for the United Kingdom. Care to guess how many worldwide?

My historical novel Watch The Hour just received an encouraging review (http://historicalnovelsociety.org/hnr-online.htm) which termed it “a page-turning yarn.” I’m not about to argue with a description like that.

My point is, don’t take my word for it. Watch The Hour is a book worth your time. The novel has received repeated good reviews elsewhere. To name a few: http://thebookbuff.blogspot.com/2010/06/j.html

http://www.gather.com/viewArticle.action?articleId=281474977713505

http://mindfogreviews.blogspot.com/2009/12/watch-hour-by-jr-lindermuth.html

Tuesday, May 25, 2010

Romeo and Juliet in Pennsylvania

The theme of forbidden love has been used to advantage by many writers, from ancient times to the present.

Consider Abelard and Heloise. Launcelot and the Lady of Shalott. And, of course, Romeo and Juliet. A thousand other examples might be suggested. There are many reasons for love being forbidden. The most common include social distinctions such as class, religion or ethnicity.

Probably no one has used the theme to better advantage than Will Shakespeare—most notably in Romeo and Juliet, but also in a number of other classic plays and poems.

I don’t intend comparing myself to Shakespeare, but I’ve used the theme in my novel Watch The Hour and don’t feel it would be out of line to say it might be seen as another variation on Romeo and Juliet.

Fleeing famine and brutal oppression, more than a million Irish refugees flocked to the United States between 1846-1855 in search of opportunity and a better life. They worked whatever jobs they could find and were routinely exploited. Many found their way to Pennsylvania’s anthracite coal region where they encountered some of the worst exploitation and hatred.

In the 1870s, mine owners and their employees, particularly the Irish immigrants, were in conflict over working conditions. Private police forces commissioned by the state but paid by the coal companies were sworn to protect property of the mine owners. The miners knew their real purpose was to spy upon targeted agitators and intimidate and break up strikers.

My Romeo is Benjamin Franklin Yeager, a coal company police officer. He does his best to follow orders while trying to be fair to the workers whose lot he sees as little different from his own. Despite his efforts at fairness, Yeager’s job makes him the enemy of the Irish.

And that’s the crux of his troubles. For Ben is in love with an Irish girl, Jennie Teague. You’ll have to read the book to see how their love plays out.

Watch The Hour is available in print and electronic forms from the publisher at https://www.whiskeycreekpress.com/store/index.php?main_page=product_info&products_id=725

Friday, March 5, 2010

Irish-American Heritage Month

March is Irish-American Heritage Month. In honor of the observance, I offer these notes:

Fleeing famine and brutal oppression, more than a million Irish refugees flocked to the U.S. between 1846-1855 in search of opportunity for a better life. It’s been estimated an amazing 44 percent of immigrants in that period were Irish.

They worked whatever jobs they could find and were routinely exploited. That exploitation was partially based on their poverty and willingness to accept whatever wages they could get. A more shocking element was religious bigotry. The majority of the immigrants were Roman Catholic and anti-Papist sentiments boiled up in tandem with economic concerns in this same period. Newspapers of the period are full of examples of anti-Catholic/Irish sentiment, including cartoons depicting them as savages and animals.

Many of the Irish found their way to Pennsylvania’s anthracite coal region where they encountered some of the worst exploitation and hatred. Wayne Broehl in his excellent The Molly Maguires says “All the past hatreds and slights came welling up again, and the mining patches were quickly divided, physically and socially, along ethnic lines. Soon the Irish turned to protective societies.”

Among these societies were the Molly Maguires, still controversial today with many refusing to believe the organization existed or was guilty of the alleged crimes. It's probable more atrocities were attributed to them than did exist. But the organization’s existence is documented and people do have a tendency to strike back at oppression.

In the 1870s, an expanding economic depression pitted mine owners and their laborers, particularly the Irish, in conflict over wages and working conditions. This situation spawned a wave of violence that was not limited to the Irish. The Molly Maguires became a scapegoat for those in authority.

It’s against this backdrop I’ve set my novel Watch The Hour in a fictional patch called Masonville. Why fictional and not an actual patch? Simply because the fictional setting did not limit me to a known set of circumstances. I was able to depict my characters and their actions in a historically-accurate setting but controlled by my imagination.

Benjamin Franklin Yeager is a coal company police officer. He does his best to follow orders while trying to be fair to the workers whose lot he sees as little different from his own. Despite his efforts at fairness, Yeager’s job makes him the enemy of the Irish. And that’s the crux of his troubles. For Ben is in love with an Irish girl.

The love interest is central to the story (I prefer to call it the Romeo and Juliet element). But, as one recent reviewer noted, “There are numerous other interesting characters and entertaining subplots that not only make Ben’s life and decisions more difficult, but create tragedy and sorrow for those already suffering under the oppression of an American feudal system meant to take advantage of the masses by the rich and powerful.”

That clearly spells out the early Irish experience and not just in the coal region.