Good fiction writers
carefully research facts before they begin writing. Sounds strange, but
think.
The plots of modern mysteries and
crime fiction hinge on laboratory results and computer analyses. Historical
fiction, e.g. Downton Abbey, loses
its zing if costumes and customs aren’t described correctly. Even fantasy
novels are enhanced by a few facts. The evacuation of children from London during the Nazi
blitzkrieg is the basis of CS Lewis’s Chronicles
of Narnia.
However, many authors are
uncomfortable using scientific tidbits, historical facts, or accurate
descriptions of locations in their writing. Maybe this advice will help.
Use facts to create
realistic scenes, but not so many as to slow the plot.
Let’s start with the use of science in mysteries and
thrillers. As a biologist, who regularly reads scientific journals, I’m
intrigued by cancer immunotherapy. (Scientists are making vaccines that trigger
the immune systems of cancer patients to more effectively fight their disease.)
That’s the scientist in me talking. The novelist part of me says the plot and
character development rule.
In my novel Malignancy,
men disguised as police officers shoot at Sara Almquist twice in one day. Albuquerque police
suspect a drug czar, who has tangled with Sara before, will order more hits on
her. When colleagues in the State Department invite Sara to arrange scientific
exchanges between the U.S.
and Cuba ,
she jumps at the chance to get out of town. Soon, she realizes Cuba offers more surprises than Albuquerque .
That’s the plot. One
of Sara’s surprises is Cuban researchers have patented a therapeutic vaccine
for a certain type of lung cancer (actual fact). Other surprises involve her
love interest and the drug czar. The scientific facts are essential for plot
development, but so are other factors.
Now let’s look at
historical fiction. John Lindermuth does a wonderful job of recreating 1898
with occasional references to Teddy Roosevelt and the Rough Riders and a new
motor car, without slowing the pace of Sheriff Tilghman’s investigation of a
murder in Sooner than Gold. Philippa
Gregory’s The Other Boleyn Girl
wouldn’t have been a best seller if the book didn’t contain a few historical
facts about Tudor England.
Pick relevant and
exciting topics.
A great author can make any topic interesting but most of us
aren’t great writers. Readers are more apt to be interested in facts that are
relevant to real issue s—global
warming or curing cancer than in learning
details about biochemical pathways. Michael Crichton (Jurassic
Park ) and Robin Cook
(Coma) were particularly skillful at
selecting scary high-tech issue s for
their thrillers. I hoped readers would find the development of a new treatment
for cancer thought-provoking in Malignancy.
Realistic locations improve any novel. The Sun Also Rises would be pretty boring without the hypnotic
descriptions of the Festival of San FermÃn in Pamplona . The decadence and beauty of Venice set the mood for
Thomas Mann’s Death in Venice.
Be accurate.
A writer of thrillers told me recently that readers accept a
couple inaccuracies in a novel if you have stated most of the information
correctly. I don’t know if that’s true. Certainly, Dan Brown has been
criticized for inaccurate historical information in his best selling novel, The DaVinci Code, but he’s included
enough facts to ignite readers’ interest.
I’m a cautious type and think accuracy is important. In Malignancy,
I state the truth about the cancer vaccine Racotumomab developed by the
Cubans. It slows the progression of a certain type of lung cancer. Many
clinical trials, which require international cooperation of scientists and
physicians, are needed to test its effectiveness. Thus, it is logical in Malignancy
when the U.S. State Department sends my heroine, a scientist, to Cuba to set up
exchanges between Cuban and American scientists.
Why not pick up
copies of Malignancy and see if you
like how I incorporated facts into my thriller?
Maybe you’ll decide to include more facts in your next piece
of fiction (novel, short story, or blog).
Malignancy is
available at Amazon http://amzn.com/1610091779
and Oak Tree Press: pressdept@oaktreebooks.com
Bio: JL Greger is
no longer a professor in biology at the University of Wisconsin ,
but she likes to include tidbits of science in her medical thrillers.
In the suspense novel, Coming Flu, learn whether the Philippine flu or a drug kingpin caught in the
quarantine is more deadly.
In the medical
mystery, Murder: A New Way to Lose Weight, discover whether an ambitious
young “diet doctor” or old-timers with buried secrets is the killer.
In the thriller, Ignore
the Pain, feel the fear as an epidemiologist learns too much about the
coca trade while on a public health assignment in Bolivia .
In the thriller, Malignancy, know the tension as a woman
scientist tries to escape the clutches of a drug lord and accepts a risky
assignment in Cuba .
Keywords: JL
Greger, Malignancy, Cuba , cancer
immunotherapy, science in fiction, facts enhance fiction
I quite agree with you. Novels, and mysteries in particular, have to be well-researched so the facts are correct.
ReplyDeleteThanks. I think the fact make historical fiction, too.
ReplyDeleteI agree wholeheartedly, facts enhance fiction. I enjoy learning something new about the real world while getting caught up in a story. Plus, the accuracy makes the story more believable.
ReplyDeleteI guess what I dislike about many romances is their lact of facts. They seem to fluffy.
ReplyDelete